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Connection

imprology workshop, London, 2015
The urge to plan ahead in improvisation often stems from a natural fear of failure. We don’t want to look unprepared or foolish, so we cling to ideas as a safety net. But this chase for cleverness can backfire. When players fixate on their own premeditated contributions, they lose the ability to tune in to the moment and to one another. Scenes become fragmented as ideas collide rather than cohere. The energy onstage might be frenetic, but it lacks direction, leaving performers and audiences alike feeling unsettled.

By contrast, focusing on feelings over thoughts opens the door to connection. When we take the time to fully inhabit the present—breathing, observing, and responding authentically—we start to see the world with fresh clarity. This presence allows us to engage deeply with our scene partners and the evolving story, rather than getting trapped in our own agendas. The result isn’t just smoother scenes but richer, more textured performances that resonate with truth and humanity. It’s not about being brilliant; it’s about being real.

Connection, not content, is the key to this effortless creativity. Expressing genuine thoughts and staying curious about how our partners react creates a dynamic interplay that can’t be scripted. These authentic exchanges lead to surprising, inspiring juxtapositions that feel alive and unforced. Characters breathe, stories unfold, and the work takes on a life of its own—all because we chose to trust the moment and each other.

Imprology improv class, London 2016, men and women
Imprology improvisation workshop, London 2016, large group of men and women
Imprology improvisational action mask workshop, London 2016, man and women in ugly masks
Imprology improv show, London 2016, audience laughing
Imprology improvisation class, women and men in London 2016



 
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Photo credit: Daniel Anderson, Joze Far, Sophie Bess, Remy Bertrand