Sun 25 Aug to Sun 1 Sep, 10 am to 8 pm with a public presentation on Sat 31 evening, at Rabbithole Theatre, Germanikou 20, Athina 104 35, Greece (map) . 14 participants max.
Advanced Booking (Early Bird has expired) for 8 days: £490 (deposit £245). Concession: £450 (deposit £225).The listed price is for the course only. Recommended hostels nearby: Athens Quinta and Nubian Hostel . You can also regroup with other students and rent a flat together. You can post a request to this effect here.
Book now with a 50% deposit and pay the rest on your first day. We can garantee you a space on this Summer School if you book online. Terms and Conditions apply.
Online booking transactions are executed by Paypal and we do not access or store your banking details.
Concession for equity members, full-time students, low earners, the unwaged and imprology students who took a course with us in the past two months, excluding taster. Please bring proof.
If you've paid for a taster, you can get a full refund when booking a course with us. Simply bring proof and we will subtract the cost of the taster to your final payment for the course.
If you don't enjoy your first class with us, contact us within 24 hours to get a full and unconditional refund. We also offer a partial refund if you book a cycle of classes, enjoy the first one but feel it's not for you. In which case, contact us within 24 hours, and we will only charge you for a taster, refunding the rest of your booking fee.
Please give us notice at least 30 days before the start of your course, by email, stating your name, contact details and your course's reference. We will refund cancellations in full to the account initially charged, or transfer the booking onto another course of your choosing, at no extra cost. If you give us notice between 30 and 15 days before the start of your course, we will apply a £15 cancellations or rescheduling fee. No refund or rescheduling will be considered after this time limit or if you don't show up.
Should any unforeseeable event force us to cancel a class or a series of classes, you will be offered the choice between an alternative class or a full refund. No refund or alternative will be available if a course is disrupted by an Act Of God.
Send a cheque payable to "imprology, 87 Cavendish Road, London N4 1RR, UK" along with the name, telephone and email contact of the workshop's participant(s). Make sure that your cheque reaches us before the start of the class you want to book. The booking fee is indicated on the booking page of each course. We will confirm your booking upon receipt by email.
Concession for equity members, full-time students, the unwaged, and anyone who took a class with imprology (excluding taster) in the past two months. Bring proof.
Full refund if you don't enjoy your first class. See T&Cs for details.
Whom: This course is for facilitators, team leaders, directors, performers, teachers, artists and learners from all walks of life with a previous experience of improvisation - be it with words, music, movement, plastic art or any other means - keen to practice intensively in a safe and friendly space.
Benefits: Encourages interaction; Increases self-awareness; Facilitates fluent behaviours; Improves resilience; Demystifies creativity; Fosters cooperation; Strengthens problem-solving skills; Promotes authenticity; Rewards curiosity.
We will explore individual and ensemble creation using improvisational techniques such as:
- Dynamic flow for ease of breath and movement;
- Games for spontaneous complicity;
- Stream-of-consciousness, visualisation and attunement for instantaneous narratives;
- Mary Overlie's Viewpoints (Space, Shape, Time, Emotion, Movement, Story), for a clear, multi-faceted approach to collaborative improvisation;
- Monologue, duologue, trialogue ensemble and silent scenes, for an expanded repertoire of possibilities;
- Open-space, for an empowering journey into the unknown.
Day 1 - Sunday Late afternoon - Opening
Meeting the group, sizing the space.
Day 2 - Monday Morning - Shared attention
Somatic Awareness, Lightness, Play
Day 2 - Monday Afternoon - Shared Illusion
Suggestibility, Commitment, Wonder
Day 3 - Tuesday All Day - Viewpoints
Space, Shape, Time, Emotion, Movement and Story
Day 4 - Wednesday Morning - Provocation
Boundaries, Trespass and Transformation
Day 4 - Wednesday Afternoon - Endowment
Characters, Context, and Relationships
Day 5 - Thursday Morning - Problem-solving
Causality, Structure and Congruence
Day 5 - Thursday Afternoon - Rudder
Rythm, Clarity, and Purpose
Day 6 - Friday All Day - Letting it happen
Instant Theatre and other formats
Day 7 - Saturday All Day - Performance
Staying embodied in the face of performance anxiety
Day 8 - Sunday Morning - Debrief and goodbyes
Structure: Each class usually consists of three periods. First, we breathe and relax with the entire group. Then we practice games, in pairs or groups, with everyone taking part at the same time. In the end, we practice scenes, with performers playing in front of the other participants on a voluntary basis. A beginners class will concentrate on the two first periods, while an advanced class will make more space for scene work and story-telling.
Method: Our classes are highly interactive and conditioned by the level of pleasure and energy in the room. We take the time to unwind and warm-up properly, and put our attention on space and movements as much as dialogues. Our guiding principles are complicity, pleasure and forgiveness.
Pace: The speed at which students acquire the necessary skills depends on each individual. The confidence to speak with ease in front of an audience manifests sooner or later, through voice and body training, as well as repeated exposure. The capacity to listen and adjust in real time to any given situation is harder to master. Participants will need to give themselves the freedom to experiment and the permission to fail.
Learning: Some of the learning takes place in stages and each session is dedicated to a particular aspect of improvisation. Other times learning happens in a breakthrough. As you play or watch other people play you suddenly realise something about yourself or the way you do things. A moment of clarity that has to be experienced and cannot be imparted. Receiving feedback will help you make sense of it all.
Remy Bertrand started teaching improvisation in the 90s and went full time in 2006. He is currently teaching at imprology, Drama Studio London and other institutions. He is the artistic director of Zootrophic, a performing improvisation ensemble, and hosts Love Explosion a monthly improvised feast open to all. Remy is also investigating improvised cinema with co-director Peter Snowdon having so far realised six improvised shorts in London and an improvised installation "The Elastic Chairs", filmed at the ERG, Bruxelles.
As well as Keith Johnstone, Viola Spolin and Del Close, his teaching is informed by Viewpoints, Playback Theatre, Action Theatre, mask-making and cognitive sciences, but in the end, he has learned most of what he knows from his students. Remy teaches improvisation as a transformational process focusing on pleasure, curiosity and courage.
'I had the most liberating fun I have had in years! Great fun, very focused, great teacher and have met great people on the course.' Emma Callow, Lab Manager
'Social anxiety was my main concern. Your course helped me much beyond my expectations.' Xavier P, Risk Management
'A great way to relax, learn to listen and begin to free yourself from anxiety about doing 'well'. The teaching is really inspiring, and beyond that, it's really good fun!' Benjamin Kerridge, Vicar at Church of England
'This is the third time I had joined the Improv course and I still want some more. A space to play, reflect, challenge yourself, be present and have fun.' Michelle Borda, Consultant in Strategic Planning for Children's Creativity
'The exercises we do in class has helped me immensely to enjoy myself more, connect with others, and stay focused.' Lucas Szczesiak, Software Engineer and Stand-Up Comedian
'I laughed loads. I began to think about not just the way I communicate with people in my life, not just what I expect of them, but what I expect of myself.' Keely Stucke, Film Maker
'It's pure. It's electric. It's jumping with no safety net. And when you fly - there's nothing like it!' Daniel Trouille, Actor
'I had a great deal of fun and felt I learnt a lot in such a short time. I felt challenged and nourished.' Hannah Nicholas, Actor
'I found out more about myself in one day than I did with one term of my interpersonal communications course.' Rachel Melinek, Student
'The facilitator strikes a perfect balance between pushing his students out of their comforts and making sure everyone is thoroughly enjoying themselves. The results are transformative.' Valerie Peake, Life Coach/Musician
'Learning about improvisation was like 'taking the handbrake off my life.' Simon Bell, Training Consultant
'Encouraged you to step out of your comfort zone in a way which was stretching but not scary.' Sarah Woodthorpe, Accountant
'The facilitator was clearly very experienced and truly excellent.' Ruth Whaling, Psychologist
'Brilliantly delivered, suitable for all levels, built in many layers of impro and skills, and was huge fun!' Emma Smallman, Groupworker
'Highly recommended.' Jonathan Chappell, GP
'I'm a full time stand up comedian these days and your course helped me massively.' Jonny Awsum, Comedian
'Great facilitation, great atmosphere, you'll learn a great deal about yourself, and have a laugh a minute.' Jemma Gray, Executive Assistant
'I had a great time laughing with a fantastic bunch of fun creative people every week.' Frankie Hardy, Nurse
'The Quality of teaching is extraordinary!' Benni Lehne, PhD student
'I thoroughly enjoyed myself and learnt skills which have greatly impacted upon my life.' Eve Macdonald, Youth Development
'Thanks again for such a fabulous weekend.' Deborah Rothenberg, Drama & Movement Therapist
'You were a joy to learn with.' Ola Aralepo, Comedian
'Magnificent course, I'm so glad I took it.' Jenny Glanville, Hypnotherapist
'Many classes I come in after work feeling a little drained and every night I leave feeling excited and refreshed.' Andrew Dowe, Consultant
'It really gives you a confidence boost and it is great fun!' Andlib Mohsin, Criminal Lawyer
'The knowledge and flexibility gained have proven especially useful to me in auditioning.' Liis Mikk, Actor